*001978335
*00520220912091435.0
*007ta
*008130823s1988    xx#           000 u eng d
*00901550cam a2200361 c 4500
*019  $bl
*020  $a0691055181
*035  $a(EXLNZ-47BIBSYS_NETWORK)998920038804702201
*035  $a(NO-LaBS)16268760(bibid)
*035  $a(NO-TrBIB)89200388x
*035  $a89200388x-47bibsys_network
*040  $aNO-TrBIB$bnob$ekatreg
*080  $a791.43.01(44)
*084  $aRd 152$2ubtkl/2
*084  $aRd 157(Jc 95)$2ubtkl/2
*1001 $aAbel, Richard$0(NO-TrBIB)90208095$_46783500
*245  $a1929-1939
*260  $aPrinceton, N.J.$bPrinceton University Press$cc1988
*300  $axxvii, 296 s.
*490  $aFrench film theory and criticism$v2
*648 7$a1900-tallet$2humord$0(NO-TrBIB)HUME10975
*650 0$aMotion picture criticism$zFrance.$_122527100
*650 0$aMotion pictures$xHistory.$zFrance$_122527200
*650 7$aFilmkritikk$0(NO-TrBIB)HUME05424$2humord$_187520300
*650 7$aFilmteori$0(NO-TrBIB)HUME05425$2humord$_186634100
*650 7$aHistorisk framstilling$0(NO-TrBIB)HUME04097$2humord$_185517600
*653  $afilmteori$akritikk$afrankrike$ahistorie$_122527300
*800  $aAbel, Richard$tFrench film theory and criticism$v2$_129617900
*85642$3Forlagets beskrivelse (lang)$uhttps://contents.bibs.aws.unit.no/?isbn=9780691055183
*85642$3Forlagets beskrivelse (lang)$uhttps://contents.bibs.aws.unit.no/content/?isbn=0691055181
*85642$3Omslagsbilde$uhttps://contents.bibs.aws.unit.no/files/images/large/1/8/0691055181.jpg$qimage/jpeg
*901  $a80
*913  $aFilm$bNB
*999  $aoai:nb.bibsys.no:998920038804702202$b2021-11-14T21:12:54Z$z998920038804702202
^