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*24510$aRepresenting women$cLinda Nochlin
*264 1$aNew York$bThames and Hudson$c[1999]
*264 4$c© 1999
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*4901 $aInterplay, arts, history, theory
*5050 $aIntroduction: Memoirs of an ad hoc art historian -- The myth of the woman warrior -- Géricault: the absence of women -- The image of the working woman -- Courbet's real allegory: rereading The Painter's Studio -- A house is not a home: Degas and the subversion of the family -- Mary Cassatt's modernity -- Body politics: Seurat's Poseuses.
*5208 $aWomen - as warriors, workers, mothers, sensual women, even absent women - haunt nineteenth- and twentyeth-century Western painting. This book brings together Linda Nochlin’s most important and pioneering writings on the subject, as she considers work by Millet, Delacroix, Courbet, Degas, Seurat, Cassatt and Kollwitz, among others. In a riveting, partly autobiographical, introduction, Nochlin argues for the honest virtues of an art history which rejects methodological presuppositions and for art historians who investigate the work before their eyes while focusing on its subject matter, informed by a sensitivity to its feminist spirit --- fra baksideteksten
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