*0011817660
*008220613s1995    xx#               0 eng d
*009     n m a22      c 4500
*019  $bl
*020  $qib.
*020##$a0791423395
*020##$a0791423409
*035  $a(NO-LaBS)16349685(bibid)
*040  $aNO-TrBIB$bnob$ekatreg
*08274$a791.4301$qNO-OsNB$24/nor
*084##$aRd 204$2ubtkl/2
*1001#$aDixon, Wheeler Winston$d1950-$0(NO-TrBIB)90692368$_12661000
*24510$aIt looks at you :$bthe returned gaze of cinema$cWheeler Winston Dixon
*260  $aAlbany, N.Y.$bState University of New York Press$cc1995
*300##$aXV, 238 s.$bill.
*336  $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco
*337  $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt
*338  $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact
*4901#$aThe SUNY series in postmodern culture
*504##$aBibliografi: s. 203-226
*650#0$aMotion picture audiences$_81371600
*650#0$aMotion pictures$xInfluence$_179435500
*650#0$aMotion pictures$xSocial aspects$_73033900
*653##$afilm$afilmteori$afilmsosiologi$apublikum$ainflytelse$_179435600
*7760#$tIt looks at you : the returned gaze of cinema$w991311449014702201
*830 4$aThe SUNY series in postmodern culture$_12661600
*85201$a47BIBSYS_NTNU_UB$6999522071844702203$9P
*85201$a47BIBSYS_UBO$6999522071844702204$9P
*85642$qimage/jpeg$uhttps://contents.bibsys.no/content/images/large/0/0/9780791423400.jpg$3Omslagsbilde
*85642$qimage/jpeg$uhttps://contents.bibsys.no/content/images/small/0/0/9780791423400.jpg$3Miniatyrbilde
*901  $a80
^