The geography of consciousness in Ibsen's theatrical practice
Philip Larson Artikkel Engelsk
*0011223256 *008150327s2015 xx# 000 0 eng *019 $bk *08230$a792.9 *100 $aLarson, Philip$4aut$_144017400 *245 $aThe geography of consciousness in Ibsen's theatrical practice *300 $aS. [303]-314 *500 $aHeftet har tittelen: Ibsen and world drama(s) *600 $aIbsen, Henrik$_14432800 *650 $aNorsk drama$2norart$_123529100 *650 $aiscenesettelser$9nor$2norart$_131594500 *650 $ateaterproduksjon$9nor$2norart$_129316800 *653 $aHedda Gabler$9eng$_144010800 *653 $aHenrik Ibsen$9eng$_134925300 *653 $aRosmersholm$9eng$_144017500 *653 $aThe lady from the sea$9eng$_144017600 *653 $aThe master builder$9eng$_144017700 *653 $aimagery$9eng$_140922000 *653 $amythic action$9eng$_144017800 *653 $aperceptual psychology$9eng$_144017900 *653 $awell-made play$9eng$_144018000 *773 $tNordlit [elektronisk ressurs]$gNr. 34 (2015)$x1503-2086 *8564 $uhttps://doi.org/10.7557/13.3375 *999 $z1500576815$anorart:1500576815 ^