Balancing on the edge of indecency : melodramatic strategies in Alfhild Agrells Räddad (Saved) and Anne Charlotte Lefflers Sanna kvinnor (True women)
Birgitta Johansson Artikkel Engelsk
*0011138548 *008110414s2010 xx# 000 0 eng *019 $bk *08230$a792.9 *100 $aJohansson, Birgitta$uGothenburg University, Department of literature, history of ideas and religion, Sweden : birgitta.johansson@lit.gu.se$_134926000 *245 $aBalancing on the edge of indecency$bmelodramatic strategies in Alfhild Agrell’s Räddad (Saved) and Anne Charlotte Leffler’s Sanna kvinnor (True women) *300 $aS. 46-57 *500 $aVitenskapelig artikkel *5208 $aInneholder sammendrag *600 $aAgrell, Alfhild$_134926100 *600 $aLeffler, Anne Charlotte$_39390100 *650 $aMelodrama$2norart$_102841300 *650 $aTeaterforestillinger$2norart$_32902400 *653 $aAlfhild Agrell$9eng$_134926200 *653 $aAnne Charlotte Leffler$9eng$_134926300 *653 $agender$9eng$_128592800 *653 $amelodrama$9eng$_134926400 *653 $amodern breakthrough$9eng$_134926500 *653 $anineteenth century theatre$9eng$_134926600 *773 $tNordic theatre studies$gVol. 22 (2010)$x0904-6380$w(NO-LaBS)896683(tnr) *999 $z1100491700$anorart:1100491700 ^