Philosophical theatricality : Castellucci's staging of Hölderlin's Oedipus the Tyrant
Keld Hyldig Artikkel Engelsk
*0011257106 *008170405s2017 xx# 000 0 eng *019 $bk *08230$a792.1201 *08230$a831.6 *100 $aHyldig, Keld$4aut$uUniversitetet i Bergen$_128702100 *245 $aPhilosophical theatricality$bCastellucci's staging of Hölderlin's Oedipus the Tyrant *300 $aS. 119-145 : ill. *500 $aHeftet har tittelen: Theatre and language *500 $aVitenskapelig artikkel *5208 $aInneholder sammendrag *600 $aCastellucci, Romeo$_135630100 *600 $aHölderlin, Friedrich$_132507500 *650 $aTragedier$2norart$_127293700 *650 $afilosofi$9nor$2norart$_128610400 *650 $ateater$9nor$2norart$_128638900 *650 $atysk lyrikk$9nor$2norart$_128825300 *653 $aChristianity$9eng$_130509700 *653 $aFriedrich Hölderlin$9eng$_147641700 *653 $aOedipus the Tyrant$9eng$_147641800 *653 $aRomeo Castellucci$9eng$_147641900 *653 $aagon$9eng$_147642000 *653 $acaesura as theatrical device$9eng$_147642100 *653 $afeminine mysteries$9eng$_147642200 *653 $atragedy$9eng$_139957400 *773 $tNordic theatre studies [elektronisk ressurs]$gVol. 28, no. 2 (2017)$x2002-3898 *8564 $uhttps://doi.org/10.7146/nts.v28i2.25605 *999 $z1700610827$anorart:1700610827 ^