Performance as philosophy : the universal language of the theatre revisited
Daniel Meyer-Dinkgräfe Artikkel Engelsk
*0011257105 *008170405s2017 xx# 000 0 eng *019 $bk *08230$a792.01 *100 $aMeyer-Dinkgräfe, Daniel$4aut$uUniversity of Lincoln$_147641000 *245 $aPerformance as philosophy$bthe universal language of the theatre revisited *300 $aS. 97-118 *500 $aHeftet har tittelen: Theatre and language *500 $aVitenskapelig artikkel *5208 $aInneholder sammendrag *650 $afilosofi$9nor$2norart$_128610400 *650 $aperformancekunst$9nor$2norart$_134132800 *650 $ateater$9nor$2norart$_128638900 *653 $aconsciousness studies$9eng$_147641100 *653 $aenergy-paradigm$9eng$_147641200 *653 $aholistic$9eng$_147641300 *653 $aimagination$9eng$_128669300 *653 $aimmediate experience$9eng$_147641400 *653 $aperformance philosophy$9eng$_145714300 *653 $asensuous experience$9eng$_147641500 *700 $aHammer, Anita S.$4aut$uDronning Mauds minne høgskole for barnehagelærerutdanning, Trondheim$_147641600 *773 $tNordic theatre studies [elektronisk ressurs]$gVol. 28, no. 2 (2017)$x2002-3898 *8564 $uhttps://doi.org/10.7146/nts.v28i2.25604 *999 $z1700610826$anorart:1700610826 ^