Effects of Chinese opera on the reproductions of Ibsen's plays
Miriam Leung Che Lau Artikkel Engelsk
*0011223257 *008150327s2015 xx# 000 0 eng *019 $bk *08230$a792.9 *100 $aLau, Miriam Leung Che$4aut$_144018100 *245 $aEffects of Chinese opera on the reproductions of Ibsen's plays *300 $aS. [315]-326 *500 $aHeftet har tittelen: Ibsen and world drama(s) *500 $aVitenskapelig artikkel *600 $aIbsen, Henrik$_14432800 *650 $aNorsk drama$2norart$_123529100 *650 $aiscenesettelser$9nor$2norart$_131594500 *650 $aopera$2norart$_13917700 *650 $ateaterproduksjon$9nor$2norart$_129316800 *651 $aKina$_11161000 *653 $aBertolt Brecht$9eng$_134928200 *653 $aPeking opera$9eng$_144018200 *653 $aRichard Schechner$9eng$_144018300 *653 $aalienation effect$9eng$_144018400 *653 $afourth wall$9eng$_144018500 *653 $aintercultural$9eng$_144018600 *773 $tNordlit [elektronisk ressurs]$gNr. 34 (2015)$x1503-2086 *8564 $uhttps://doi.org/10.7557/13.3376 *999 $z1500576816$anorart:1500576816 ^