*0011134357
*008110210s2010    xx#           000 0 eng
*019  $bk
*08230$a792.023
*100  $aHyldig, Keld$uUniversitetet i Bergen$_128702100
*245  $aBrand on the stage$bidentification and critical distance
*300  $aS. 92-110
*500  $aVitenskapelig artikkel
*600  $aIbsen, Henrik$_14432800
*650  $aNorsk drama$2norart$_123529100
*650  $ateaterproduksjon$9nor$2norart$_129316800
*773  $tIbsen studies$gVol. 10, no. 2 (2010)$x1502-1866$w(NO-LaBS)538177(tnr)
*8564 $uhttps://doi.org/10.1080/15021866.2010.538500
*999  $z1100487502$anorart:1100487502
^